Serlio achieved fame as an architect and the author of seven books on architecture, but his activities as a painter are hardly known. The recently discovered autograph manuscript reveals his thinking about this 'most noble art': collectively its pages form the introduction to an unfinished treatise on painting. As with his architectural discourse, Serlio's approach to writing about painting is entirely practical. In no sense a humanist reflection on the subject of art, the work was planned as an illustrated manual (...) and pedagogical tool for the novice painter. The discussion opens with a first section on disegno where the rudiments of drawing are outlined. Very quickly Serlio turns to foreshortening and perspectives on the human figure, emphasising the infinite nuances possible as the body to be represented moves. Such concerns disclose the influence of his mentor Baldassare Peruzzi and association with other members of Raphael's studio. As presented in this manuscript, the manual may have graphically resembled Dürer's Vier Bücher in its printed form, but the rules of disegno respect the Italian workshop tradition as we know it from Carlo Urbino's Le regole del disegno and the Leonardesque heritage. Serlio's projected volume of painting instruction may be regarded as a first literary experiment—a precursor to his later illustrated books on architecture. (shrink)

Resumo: O objetivo desse artigo foi analisar e refletir se a produção científica em periódicos nacionais tem abordado a constituição da identidade docente como vocação ou profissão nas formações docente, além de inferir se o PIBID tem contribuído perante essa questão na formação de professores de Ciências. A pesquisa foi qualitativa do tipo “Estado da Arte” e os artigos analisados com base na Análise de Conteúdo. Os resultados indicaram que há uma lacuna de pesquisas que visam identificar como os professores (...) da área de Ciências da Natureza têm se identificado com a docência e quais fatores os têm motivado a ingressarem e permaneceram nos cursos, bem como, quais ações têm sido orquestradas visando estimular a atratividade pela carreira docente. Quanto as contribuições do PIBID os artigos analisados focaram nos saberes relacionados às práticas pedagógicas, sendo que as discussões relacionadas à profissão professor não tem sido abordadas. Nesse sentido, não foi possível fazer um paralelo entre esses resultados no sentido de reconhecer se os licenciandos dos cursos de Ciências percebem a docência como vocação ou ofício. Ou seja, não há uma discussão inerente sobre essa interlocução o que poderia ser foco de futuras pesquisas que clarificassem essa percepção. Palavras-chave: Formação De Professores De Ciências; Identidade Docente; PIBID Vocation or trade? The constitution of the teaching identity of science teachers: the contribution of PIBID Abstract: The objective of this article was to analyze and reflect on whether scientific production in national journals has addressed the constitution of teaching identity as a vocation or profession in teacher formation, in addition to inferring whether PIBID has contributed to this issue in the training of Science teachers. The research was qualitative of the “State of the Art” type and the articles were analyzed based on Content Analysis. The results indicated that there is a lack of research aimed at identifying how science teachers have identified themselves with teaching and what factors have motivated them to enter and remain in the courses, as well as what actions have been orchestrated to stimulate their attractiveness for the teaching career. The publications of PIBID are more focused on knowledge related to pedagogical practices, and discussions related to the teaching profession have not been addressed. In this sense, it was not possible to make a parallel between these results in the sense of recognizing whether undergraduate students of Science courses perceive teaching as a vocation or craft. That is, there is no inherent discussion about this interlocution, which could be the focus of future research that would clarify this perception. Keywords: Science Teacher Education; Teacher Identity; PIBID ¿Vocación o oficio? La constitución de la identidad docente de los profesores de Ciencias: la contribución de PIBID Resumen: El objetivo de este artículo fue analizar y reflexionar si la producción científica en revistas nacionales ha abordado la constitución de la identidad docente como vocación o profesión en la formación docente, además de inferir si el PIBID ha contribuido a este tema en la formación de profesores de ciencias. La investigación fue cualitativa del tipo “Estado del Arte” y los artículos fueron analizados a partir del Análisis de Contenido. Los resultados indicaron que existe un vacío en la investigación orientada a identificar cómo los docentes del área de Ciencias Naturales se han identificado con la docencia y qué factores los han motivado a inscribirse y permanecer en los cursos, así como, qué acciones se han orquestado con el fin de estimular el atractivo de la carrera docente. Las publicaciones del PIBID están más dirigidas al conocimiento relacionado con las prácticas pedagógicas, y no se han abordado discusiones relacionadas con la profesión docente. En ese sentido, no fue posible hacer un paralelismo entre estos resultados en el sentido de reconocer si los estudiantes de pregrado de las carreras de Ciencias perciben la docencia como una vocación o un oficio. Es decir, no existe una discusión inherente sobre esta interlocución, que podría ser el foco de futuras investigaciones que aclararían esta percepción. Palabras clave: Formación Docente De Ciencias; Identidad Docente; PIBID Data de registro: 29/06/2022 Data de aceite: 26/10/2022. (shrink)

INTRODUCTION: LE LIEU SÉMIOTIQUE JULIA KRISTEVA Les stoïciens furent probablement les premiers à developper une théorie détaillée du SIGNE - du ...

In lieu of an abstract, here is a brief excerpt of the content:Singing Democracy:Music and Politics in Jean-Jacques Rousseau's ThoughtJulia SimonComment? Tous les intervalles de mon Clavecin sont altérés?... Fi, le vilain instrument; ne m'en parlez plus.... Je veux chanter.—Anton Bemetzrieder, Leçons de ClavecinDemocratic theory of the eighteenth century, and particularly Rousseau's, is suffused with the idealism and lack of pragmatism that make it both immensely compelling and extraordinarily frustrating. Conceived under the decaying edifice of the absolute monarchy, it (...) strives toward perfection, offering theoretical formulations that often defy practical application. Yet this theory continues to inspire democratic practice and political debates even more than 200 years after its writing. In one passage of Du contrat social Rousseau asserts, "If there were a people of Gods, it would govern itself democratically. Such a perfect government is not suited to men."1 And yet the thrust of the work and the critical force of Rousseau's corpus encourage and challenge us to strive toward democracy, as impossible a goal as it may be for mere mortals.Alongside Rousseau's works in social and political theory lies another vast body of theoretical work in music. Rarely, if ever, are they read in tandem. Music in the eighteenth century suffers from many of the same difficulties that political theory does, especially the tendency toward a level of abstraction that defies practical application. Like the problem of democracy in the eighteenth century, music also presents the temptation of retreat into a world of abstract perfection based on mathematical certainty with little relation to practical reality. [End Page 433] Perhaps nowhere is the tension so acute between the ideal and the real in music as in the domain of tuning specifically, in keyboard tuning, and the question of tempering. So as in the political domain, there is a potentially wide gulf between music theory and music practice.If there is any hope of realizing democracy in the way that Rousseau understood it, an exploration of his music theory may provide the crucial bridge between theory and practice. Rousseau's theoretical work in music, and singing in particular, covers a number of distinct subject areas. First, his proposal for a new system of musical notation links directly to democratic impulses in his political and social theory. Second, the kinds of emotions that music stirs are related in Rousseau's thought to forms of expression that remain closer to their natural origins. Finally, Rousseau's preference for melody, as opposed to harmony, relates directly to his conception of the political sphere and specifically to the relationship between the general will and the workings of the body politic in a democracy. Unexpectedly, reading Rousseau's musical theory alongside his democratic theory produces a nuanced and moderate view of the social contract that deepens our understanding of the relationship between relative and absolute values in politics as well as in music and offers a model for practice.Musical Notation and DemocracyA distinctly democratic impulse motivates the Projet concernant de nouveaux signes pour la musique for Rousseau's revision of the musical notation system is designed to increase accessibility to music. With characteristic rhetoric Rousseau introduces his project for "simplifying" musical notation with a short, to-the-point paragraph: "This project tends to make music easier to write down, easier to learn and much less diffuse."2 Following this statement of purpose, Rousseau relates, in a contrasting rhetorical style—replete with specialized vocabulary—the current state of affairs in musical notation:This quantity of lines, keys, transpositions, of sharps, flats, naturals, of simple and complex measures, of whole-notes, half-notes, quarter-notes, eighth-notes, sixteenth-notes, thirty-second notes, of rests, half-rests, quarter-rests, eighth-rests, sixteenth-rests, etc. gives a quantity of signs and combinations from which result two principle inconveniences: the first, to occupy too great a volume, and the second to overload the memory of schoolchildren in such a way that the ear being formed and the organs having acquired all the necessary facility long before one is [End Page 434] capable of singing from a book, it follows that the difficulty is more in the observation of rules than in the execution of... (shrink)

The paper analyzes Jacques Derrida’s and Jean-Luc Nancy’s concept of the self-portrait. It is argued that Nancy builds on Derrida’s approach but introduces two decisive modifications. Firstly, he develops the emergence of the painter on the canvas as constitution of the self – an aspect Derrida does not consider. Secondly, Nancy understands portraying – and thus images – on the basis of touching. In contrast, Derrida conceives portraying as coming from the invisible and two forms of blindness. In doing (...) so, he remains ex negativo in a tradition which links images to vision, whereas Nancy tries to overcome it. Nancy’s alterations not only lead to a modified theory of the self-portrait but also refine Derrida’s influential concept of différance by highlighting its corporeal and ontological dimension. (shrink)

Ausgehend von Lucian Freuds Bild »Painter Working, Reflection« (1993) entwirft Julia Regina Meer eine korporale Philosophie der Bilder. Das Bild avanciert dabei zum Ausgangspunkt des Denkens, was eine methodische Abgrenzung zu den Bildwissenschaften wie auch zur Bildtheorie ermöglicht. In Anlehnung an die Philosophie von Jean-Luc Nancy schlägt sie ein affirmatives Konzept von Körperlichkeit vor, das auf dem Grenzbegriff der Expeausition - der körperlichen Ausgesetztheit entlang der Haut - beruht. Wie der Selbstakt von Freud zeigt, potenzieren Bilder dieses Ausgesetztsein, (...) da sie nicht nur einen Bildinhalt ausstellen, sondern immer auch den Bildkörper mitaussetzen. (shrink)

Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In _Rousseau Among (...) the Moderns_, Julia Simon puts forth fresh interpretations of _The Social Contract_, _The Discourse on the Origin of Inequality_, and _The Confessions_, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations. (shrink)

Using the writings of the critical theorists of the Frankfurt School as a framework, this book uncovers the tensions and contradictions associated with the rise of capitalism as manifested in the writings of Rousseau and Diderot.

In lieu of an abstract, here is a brief excerpt of the content:Reading The Second Sex Sixty Years LaterJulia KristevaTranslated by Timothy HackettPublished in 1949, today The Second Sex is a youthful sixty-year-old woman who has created a scandal, but also a school of thought: She marks a decisive stage in women's liberation and continues to accelerate it.Let's try to place ourselves in that year, 1949: The world has barely dressed its wounds from World War II and onto the scene (...) steps a young French woman—from an aristocratic and Catholic background, enjoying a liberal lifestyle and endowed with philosophical tenacity, pedagogical talents, and contagious style without precedent—who announces to her dumbfounded readers that the second sex is free. To be sure, she immediately issues the following qualification, "the free woman is just being born" (Beauvoir 2010, 751), and this remains the case today. It is, however, already a global phenomenon, one that has not yet finished leaving its effects, since what is at stake is a veritable anthropological revolution: I say "anthropological revolution" for, beyond the freedom of choice with respect to maternity and the right to social, economic, and political equality, what is at stake is a new form of assuring the continuity of the human species along with the bold definition of transcendence as freedom. What becomes of humanity if birth, freedom, and the spectacle are put in the hands of women? Obscurantists, fundamentalists, and puritans of all stripes become alarmed and decry the scandal. If the future is hereby opened up—with all the risks that this entails—does it welcome and offer new possibilities?This anthropological revolution has been in preparation since the beginning of time. The British suffragettes inscribed it in their political agenda and feminist movements after May '68 intended to deepen it. But this revolution [End Page 137] [elle] only became conscious of its magnitude and took the world by storm, thanks to the experience and the pen of Simone de Beauvoir.Simone de Beauvoir (1908-1986) is already a well-known philosopher and writer by 1949, when she begins to create something of a scandal: she has already published She Came to Stay, Pyrrhus and Cineas, The Blood of Others, Who Shall Die?, All Men Are Mortal, The Ethics of Ambiguity, and America Day By Day. Along with Jean-Paul Sartre and in the wake of the burgeoning (naissant) existentialist movement (whose genesis she would intimately describe in Les Mandarins, 1954), Simone de Beauvoir pursues an experience that is at once personal and political, as well as a philosophical project whose central theme and absolute objective is freedom, which she understands as a form of revolt and non-consent. It remains important to emphasize this today as we begin the third millennium, a time in which freedom, revolt, and non-consent tend to disappear in favor of other concerns that reflect a globalized world: fear, security, adaptation, and integration."Freedom" lies at the heart of the life and the work of the one whom the hostile press disparagingly calls "Sartrean." The freedom of Madame Roland, who acknowledged, "Oh what crimes are committed in thy name," is the same freedom whose risks Simone de Beauvoir downplays in The Ethics of Ambiguity, a work that denounces the ambivalent fascination with communism found in other existentialists.Freedom nevertheless; above all and at all costs: For Simone de Beauvoir, freedom (elle) remains and will remain the inextinguishable star that has incessantly guided philosophical inquiry since Socrates; inspired the noble heights of Christian thought, particularly in Pascal (who deemed man more noble than the universe that crushes him, for he knows that he dies while the universe doesn't). It is the same freedom that fueled the rebellious bodies and spirits of the Enlightenment; that forged the style of great European literature; it is the same freedom that animates Hegel's dialectic and even modern phenomenology, which existentialism takes as its support. So many references and experiences resonate in the work of this forty-year-old author as she sets out to write The Second Sex.Her first novels recount the relentless struggles that women undergo (jealousy, abandonment, solitude, violence, various injustices) in order to extricate themselves from their... (shrink)

Rousseau and Dignity is a volume that combines a photography exhibit, lectures, commentary, and audience reactions by people ages seven to ninety-two, all for Jean-Jacques Rousseau's tercentennial.

It stands to reason that ekphrasis cannot be limited to the detailed but plain description of the artifact, for it often concerns what is not there in the painting as well. Authors of the ekphrases sometimes “animate” or “revive” a work of art, which manifests itself in narrativization of painted scenes. The process is also frequently supplemented by its continuation or backstory and fictitious utterances of figures depicted in the painting. The paper discusses a specific literary form of that kind (...) of “animation”, that is texts in which characters that can be seen in a painting receive the voice through the prosopopoeia and expose their selfawareness of “artificiality”. The precise subject of this study is P. Assouline’s novel Le Portrait which is narrated by baroness Betty de Rothschild, the figure from the J.A.D. Ingres’ painting. In this article, I am focusing on the mode and meaning of prosopopoeia in Assouline’s novel. I am also trying to examine whether every text that is based on the concept of a “speaking” work of art can be described as ekphrasis. (shrink)

Discussions about the morality of slavery are a central part of the history of early modern philosophy. This book explores the philosophical ideas, theories, and arguments that occur in eighteenth-century debates about slavery, with a particular focus on the role that race plays in these debates. This exploration reveals how closely Blackness and slavery had come to be associated and how common it was to believe that Black people are natural slaves, or naturally destined for slavery. The book examines not (...) just well-known authors like David Hume, Immanuel Kant, and Jean-Jacques Rousseau, but also less widely studied philosophers like Quobna Ottobah Cugoano, Lemuel Haynes, and Olympe de Gouges. By presenting philosophically important aspects of debates about slavery in eighteenth-century North America and Europe, the book aims to be a valuable resource for scholars, instructors, and students who are curious about a topic that historians of philosophy have so far neglected. (shrink)

Cet ouvrage restitue l'apport considérable du refondateur de la rhétorique Chaïm Perelman sur le point précis des valeurs en prenant la mesure exacte de son entreprise théorique et de la réception qui lui a été réservée dans les études contemporaines d'argumentation et de rhétorique.

Où est le temps, existe-t-il encore? Je vous propose d'ouvrir la question du TEMPS. Jamais le temps n'a été aussi compact, uniformisé, fermé comme il l'est désormais à la surface globalisée de l'hyperconnexion. Mais jamais non plus il n'a été aussi ouvert et multiple : incessant battement d'avènements, amorces, émergences, éclosions perpétuelles. Je retrouve ici des expériences singulières : dans l'érotisme maternel et dans celui de la foi religieuse, j'ose parier sur la culture européenne et sur l'humanisme à refonder, je (...) découvre un destin de la psychanalyse en terre d'Islam et en Chine. Je n'ai pas de réponses toutes faites et n'en donne pas une fois pour toutes. Je déplie des vérités hic et nunc telles que je les vis et les pense. Je vous présente mes compagnons de route : Antigone et Philippe Sollers, Jean-Jacques Rousseau et Jacques Lacan, Jackson Pollock et Emile Benveniste ; Simone de Beauvoir et Thérèse d'Avila. Un livre sur la Vérité découverte par le Temps? Plutôt une expérience du temps scandée par des événements, des étonnements, rebonds de surprises et de renaissances. (shrink)

Nietzsche and Heidegger were both lovers of language, and author Jean Graybeal argues that their writing styles demonstrate a relationship with the feminine dimension of language. Using as a framework the theories of Julia Kristeva concerning the "symbolic" and "semiotic" dispositions in language, Graybeal reads Nietzsche and Heidegger as writers and thinkers whose experimentation with language is directly relevant both to their quests for nonmetaphysical ways of thinking and to the feminist project of moving beyond male dominance. The (...) chapters on Nietzsche discuss portions of The Gay Science, Thus Spoke Zarathustra, and Ecce Homo with the question of woman in the forefront of the analysis. The chapters on Heidegger deal, first, with Being and Time, describing the ways in which Heidegger evokes the feminine and semioitic dimensions in language. Finally, eight of Heidegger's later essays are read with attention to feminie, maternal, and erotic imagery. (shrink)

This paper traces back on a personal tone a provocative evocation of Jean-Paul Sartre and Simone de Beauvoir. The author considers existentialism as a laboratory of existence that influenced a generation's manner of living and writing and made one's existential desires into historical and political acts. Its most representative mode of expression, literature, was as an indicator of the presence of the private throughout the public world and time. In this view, de Beauvoir's presence is approached both from the (...) perspective of her understanding of the female, and from the particular kind of couple she formed with Sartre. (shrink)

CONTENIDO: La fenomenología de Husserl como monadología - El concepto husserliano de mónada - La antigua y difícil propuesta de amor - Para una fenomenología de la violencia - La fenomenología de Husserl: ¿ecología o monadología? - Descripción fenomenológica del dolor de la experiencia intropática del dolor - Memoria y olvido en relación con la identidad personal - De fenomenología, violencia y víctimas - En torno a la esperanza - Libertad como problema: comentario de las Moscas de Jean Paul (...) Sastre - Eco filosófico de muertes literarias en torno a la obra de Jorge Luis Borges. (shrink)

volume 1. Justice et rhétorique selon Chaïm Perelman, ou, comment dire le juste? -- volume 2. Éthique et rhétorique (d')après Chaïm Perelman, ou, la raison hospitalière -- 3. Logique et rhétorique selon Chaïm Perelman, ou, Le jugement partagé.

O presente artigo toma como objeto de análise cadernos produzidos por Romana Bragatti, entre os anos de 1934 a 1936, estudante do Curso Complementar do Colégio São José, localizado em Caxias do Sul/RS. O estudo investiga esses suportes de escrita, suas materialidades e enunciados, na tentativa de compreender os usos dos artefatos e os discursos constitutivos da formação docente. Como respaldo teórico, são referenciados António Viñao Frago, Castillo Gómez e Jean Hébrard, autores que trabalham com a história da cultura (...) escrita, exploram aspectos gráficos, apontam para caminhos metodológicos e sinalizam possibilidades de produção historiográfica em torno desses dispositivos. Por meio desses aportes, a pesquisa busca contribuir com a análise desses artefatos da cultura escolar e expressar caminhos de investigação para quem se arrisca a desenvolver pesquisas inscritas nessas perspectivas. Como escrituras disciplinadas, cadernos escolares, em tese, não permitem a expressão da espontaneidade dos escreventes, entretanto, alguns registros produzidos pela aluna, aparentemente sutis, realçam transgressões sobre esse material e sobre o processo de escolarização que vivenciava, possibilitando perceber marcas da autora. Os assuntos que comparecem nesses cadernos versam sobre temas de “História Universal” e de “Pedagogia”, saberes considerados importantes para a formação das estudantes, apresentados descritivamente. Especialmente o Caderno de Pedagogia, para além da descrição, manifesta também um caráter explicativo/prescritivo, constituindo-se, supostamente, em referência de leitura, notadamente de orientação teórica e metodológica. Ao examiná-los, observa-se uma espécie de mimetização dos manuais escolares vigentes. Infere-se que as alunas copiavam textos desses manuais, que eram ditados ou exibidos no quadro-negro pelo professor, considerando o pouco acesso aos livros naquela temporalidade. Em relação ao Caderno de Pedagogia, o que mais se destaca são, por um lado, indicativos de códigos de conduta moral considerados adequados à professora, em conformidade ao processo de feminilização da docência naquele contexto. Por outro, percebem-se indícios de que a futura professora esteve em contato com o escolanovismo, que instituía a Pedagogia em bases científicas, enfatizando a importância da Psicologia Experimental. Palavras-chave : Cadernos escolares. Cultura escrita. Escola Nova. (shrink)

O presente artigo toma como objeto de análise cadernos produzidos por Romana Bragatti, entre os anos de 1934 a 1936, estudante do Curso Complementar do Colégio São José, localizado em Caxias do Sul/RS. O estudo investiga esses suportes de escrita, suas materialidades e enunciados, na tentativa de compreender os usos dos artefatos e os discursos constitutivos da formação docente. Como respaldo teórico, são referenciados António Viñao Frago, Castillo Gómez e Jean Hébrard, autores que trabalham com a história da cultura (...) escrita, exploram aspectos gráficos, apontam para caminhos metodológicos e sinalizam possibilidades de produção historiográfica em torno desses dispositivos. Por meio desses aportes, a pesquisa busca contribuir com a análise desses artefatos da cultura escolar e expressar caminhos de investigação para quem se arrisca a desenvolver pesquisas inscritas nessas perspectivas. Como escrituras disciplinadas, cadernos escolares, em tese, não permitem a expressão da espontaneidade dos escreventes, entretanto, alguns registros produzidos pela aluna, aparentemente sutis, realçam transgressões sobre esse material e sobre o processo de escolarização que vivenciava, possibilitando perceber marcas da autora. Os assuntos que comparecem nesses cadernos versam sobre temas de “História Universal” e de “Pedagogia”, saberes considerados importantes para a formação das estudantes, apresentados descritivamente. Especialmente o Caderno de Pedagogia, para além da descrição, manifesta também um caráter explicativo/prescritivo, constituindo-se, supostamente, em referência de leitura, notadamente de orientação teórica e metodológica. Ao examiná-los, observa-se uma espécie de mimetização dos manuais escolares vigentes. Infere-se que as alunas copiavam textos desses manuais, que eram ditados ou exibidos no quadro-negro pelo professor, considerando o pouco acesso aos livros naquela temporalidade. Em relação ao Caderno de Pedagogia, o que mais se destaca são, por um lado, indicativos de códigos de conduta moral considerados adequados à professora, em conformidade ao processo de feminilização da docência naquele contexto. Por outro, percebem-se indícios de que a futura professora esteve em contato com o escolanovismo, que instituía a Pedagogia em bases científicas, enfatizando a importância da Psicologia Experimental. Palavras-chave : Cadernos escolares. Cultura escrita. Escola Nova. (shrink)

Contemporary conversations about religion and culture are framed by two reductive definitions of secularity. In one, multiple faiths and nonfaiths coexist free from a dominant belief in God. In the other, we deny the sacred altogether and exclude religion from rational thought and behavior. But is there a third way for those who wish to rediscover the sacred in a skeptical society? What kind of faith, if any, can be proclaimed after the ravages of the Holocaust and the many religion-based (...) terrors since? Richard Kearney explores these questions with a host of philosophers known for their inclusive, forward-thinking work on the intersection of secularism, politics, and religion. An interreligious dialogue that refuses to paper over religious difference, these conversations locate the sacred within secular society and affirm a positive role for religion in human reflection and action. Drawing on his own philosophical formulations, literary analysis, and personal interreligious experiences, Kearney develops through these engagements a basic gesture of hospitality for approaching the question of God. His work facilitates a fresh encounter with our best-known voices in continental philosophy and their views on issues of importance to all spiritually minded individuals and skeptics: how to reconcile God's goodness with human evil, how to believe in both God and natural science, how to talk about God without indulging in fundamentalist rhetoric, and how to balance God's sovereignty with God's love. (shrink)

Este artículo plantea la posibilidad de entender la melancolía como un paradigma hermenéutico. En concreto, se enfatiza su idoneidad como tal para interpretar aquellos textos construidos desde la voz de un Yo. Los diversos trabajos que Jean Starobinski ha dedicado a dicho concepto y, sobre todo, su texto capital L’encre de la mélancolie (2012), serán el eje en torno al cual gire esta propuesta –esta tentativa crítica–; desde esta obra, remitiremos a otros autores esenciales, como Aristóteles, Sigmund Freud, (...) class='Hi'>Julia Kristeva o Roger Bartra. Nuestra argumentación se divide en tres etapas: primero indagamos en el juego de contrarios que ha lastrado la historia conceptual de la melancolía, después ahondamos en el desplazamiento, el desdoblamiento y el exceso como núcleos de sentido del paradigma hermenéutico propuesto, y culminamos con una aplicación analítica, que nos conducirá a unas conclusiones en torno a la crítica. (shrink)

In the early pages of this study, Jean-Jacques Thomas confesses that it was not his intention to write a book on Perec. Rather, he was interested in the manner in which "French Theory" had taken root in American academia in the 1960s and 1970s, enabling figures such as Roland Barthes, Michel Foucault, Jacques Lacan, Jean-François Lyotard, Julia Kristeva, Jacques Derrida, Gilles Deleuze, and others to export their thought with such resounding success. During the same period, a variety (...) of creative writers, many of them associated with the nouveau roman, became widely known, respected, and indeed influential in American intellectual circles. Gradually, Thomas began to wonder why Georges Perec failed to achieve the... (shrink)

This article explains what is meant by the creolizing of ideas and then demonstrates it through exploring a political observation about political illegitimacy made by eighteenth-century Genevan social and political thinker Jean-Jacques Rousseau and creolized when the nineteenth-century African-American educator and social critic Anna Julia Cooper argued that the ideal of independence that lay at the core of political doctrines of republican self-governance relied on forms of willful blindness that cloaked the ongoing dependence of all human beings on (...) one another. In conclusion, the article considers what Cooper's expansion of Rousseau's insight and creolized readings of political philosophy imply for our pursuit of just political institutions today. (shrink)

La présente étude de cas soulève une série de questions historiographiques et archivistiques induites par une enquête que nous avons consacrée à la patrimonialisation des papiers personnels de Jean Leray (1906-1998). Nous entendons tout d’abord reconstituer la persona scientifique de Jean Leray telle qu’elle ressort des notices biographiques produites en particulier après son décès. Le récit que nous a livré Leray sur sa captivité durant la seconde guerre mondiale y est alors reproduit et amplifié. Nous établissons ensuite que (...) le tri des papiers de Leray est contemporain de ces éloges et qu’il a été mené sous l’étroit contrôle du mathématicien et académicien Paul Malliavin. Nous formulons ce faisant quelques hypothèses sur les principes ayant conduit ce dernier à n’en déposer que quelques fragments dans trois bibliothèques de mathématiques distinctes. Pour finir, nous replaçons le récit de captivité de Leray dans le contexte des relations étroites que certains membres de l’Académie des sciences, dont Gaston Julia et Henri Villat, entretenaient avec l’université en captivité de l’Oflag XVII-A durant l’Occupation. (shrink)

La présente étude de cas soulève une série de questions historiographiques et archivistiques induites par une enquête que nous avons consacrée à la patrimonialisation des papiers personnels de Jean Leray. Nous entendons tout d’abord reconstituer la persona scientifique de Jean Leray telle qu’elle ressort des notices biographiques produites en particulier après son décès. Le récit que nous a livré Leray sur sa captivité durant la seconde guerre mondiale y est alors reproduit et amplifié. Nous établissons ensuite que le (...) tri des papiers de Leray est contemporain de ces éloges et qu’il a été mené sous l’étroit contrôle du mathématicien et académicien Paul Malliavin. Nous formulons ce faisant quelques hypothèses sur les principes ayant conduit ce dernier à n’en déposer que quelques fragments dans trois bibliothèques de mathématiques distinctes. Pour finir, nous replaçons le récit de captivité de Leray dans le contexte des relations étroites que certains membres de l’Académie des sciences, dont Gaston Julia et Henri Villat, entretenaient avec l’université en captivité de l’Oflag XVII-A durant l’Occupation. (shrink)

In Accuracy and the Laws of Credence Richard Pettigrew assumes a particular view of belief, which states that people don't have any other doxastic states besides credences. This is in tension with the popular position that people have both credences and outright beliefs. Pettigrew claims that such a dual view of belief is incompatible with the accuracy-first approach. I argue in this paper that it is not. This is good news for Pettigrew, since it broadens the appeal of his framework.

‘The matter will hinge on this point: what will be established is the ideal wise and virtuous person either of the Stoics or of the Old Academy [Platonists and Aristotelians]. You can’t have both; the dispute between them is not about boundaries but about complete ownership, since all rationale for living is involved in one’s definition of the final good, and dispute about that is dispute about all rationale for living. So it can’t be both, since they disagree so deeply; (...) it must be one or the other.…I am dragged in different directions—at one time one view seems more convincing to me, at other times the other. Still, unless one or other of them is the case, I firmly believe that virtue is defeated. But—just on this issue they disagree.’. (shrink)

Climate change evokes different emotions in people. Recently, climate emotions have become a matter of normative scrutiny in the public debate. This phenomenon, which we refer to as the normativization of climate emotions, manifests at two levels. At the individual level, people are faced with affective dilemmas, situations where they are genuinely uncertain about what is the right way to feel in the face of climate change. At the collective level, the public debate reflects disagreement about which emotions are appropriate (...) to feel in the climate context. The aim of this paper is to examine the normative reasons in favour of different climate emotions by combining normative criteria from philosophy and psychology, such as rationality-based and consequentialist ones. We conclude that these criteria provide partial reasons for or against different climate emotions and that the suitability of each criterion will depend on various considerations, including the specific object that the emotion is directed to. We suggest that emotional disagreement in climate contexts may generate distrust, potentially hindering cooperation for climate action. We propose that we can ease challenges like this if we come to terms with the complex nature of climate emotions and their normative justification. (shrink)

Der Begriff "Zweite Natur", der schon in der Antike Verwendung findet, nimmt in den philosophischen Debatten der Gegenwart eine Schlusselstellung ein. Auch wenn er in verschiedenen Traditionszusammenhangen jeweils anders gedeutet wird, soll mit dem Begriff doch immer das Problem gelost werden, wie sich Natur und Freiheit, kausale Notwendigkeit und menschlicher Geist zueinander verhalten. In der auf Marx zuruckgehenden Tradition wird mit "Zweiter Natur" in kritischer Absicht der historischen Umstand bezeichnet, dass sich die geschichtliche Entwicklung weiterhin ohne vernunftige Planung und daher (...) wie ein blinder Naturprozess vollzieht; in der sich auf Hegel berufenden und an Aristoteles anschliessenden Tradition wird mit "Zweiter Natur" die Tatsache umrissen, dass sich viele unserer kognitiven und moralischen Verhaltensweisen als Resultate von Gewohnheitsbildungen verstehen lassen und daher so etwas wie eine kunstliche Natur im Ganzen unserer Lebensweise darstellen; und schliesslich wird in einer dritten, eher auf Nietzsche und Freud zuruckgehenden Tradition mit dem Verweis auf unsere "Zweite Natur" die Aufmerksamkeit darauf gelenkt, dass in das menschliche Verhalten immer auch Zwange unserer biologischen Natur hineinragen und dieses daher wie von aussen beeinflussen oder gar bestimmen. Der Kongress der Internationalen Hegel-Vereinigung vom 14. - 17. Juni 2017 in Stuttgart suchte zur Aufklarung des Verhaltnisses dieser drei mit dem Begriff der "Zweiten Natur" verknupften Assoziationsfelder beizutragen. In elf Kolloquien, deren Beitrage dieser Band nun veroffentlicht, wurde im Lichte verschiedener Disziplinen diskutiert, wie die Beziehung zwischen menschlicher Freiheit und Natur angemessen aufzufassen ist; das Themenspektrum reichte dabei von historischen Auseinandersetzungen mit einzelnen Traditionen und Epochen bis zur Behandlung der Rolle der "Zweiten Natur" in der Asthetik, der Sozialphilosophie, der Psychoanalyse und der Anthropologie. Erganzt wurde dieser thematische Bogen durch drei Plenarvortrage und einem Forum freier Kurzvortrage, auf dem NachwuchswissenschaftlerInnen ihre Uberlegungen zur Fragestellung des Kongresses vorstellen konnten. Der Band bietet damit einen sowohl historischen wie systematischen Uberblick uber einen philosophischen Schlusselbegriff der Gegenwart. (shrink)

As the COVID-19 pandemic was unfolding, a surge in scams was registered across the globe. While COVID-19 poses higher health risks for older adults, it is unknown whether older adults are also facing higher financial risks as a result of COVID-19 scams. Here, we examined age differences in vulnerability to COVID-19 scams and individual difference measures that might help explain them. A lifespan sample of sixty-eight younger, 79 middle-aged, and 63 older adults recruited through Prolific completed questions and questionnaires online. (...) In a within-subjects design, each participant responded to five COVID-19 solicitations, psychological measures, and demographic questions. Age group comparisons revealed that older adults were marginally less likely to perceive COVID-19 solicitations as genuine than middle-aged adults were. In addition, older adults perceived significantly fewer benefits than both younger and middle-aged adults did and perceived marginally higher risks than younger adults did. Hence, older adults did not exhibit greater vulnerability to COVID-19 scams. Regardless of age, intentions to respond to COVID-19 solicitations were positively predicted by higher levels of educational attainment, being married, past fraud victimization, and higher levels of positive urgency. As expected, stronger genuineness and benefit perceptions positively predicted action intentions, whereas stronger risk perceptions negatively predicted action intentions As such, COVID-19 scam susceptibility appears to be the result of a impulse control issue that is not easily inhibited, not even by past experiences of scam victimization. (shrink)

In this book, Maskivker argues that there ought to be a right not to participate in the paid economy in a new way; not by appealing to notions of fairness to competing conceptions of the good, but rather to a contentious (but defensible) normative ideal, namely, self-realization. In so doing, she joins a venerable tradition in ethical thought, initiated by Aristotle and developed in the work of important eighteenth and nineteenth century thinkers including Smith, Hume, and Marx.The book engages on-going (...) debates (in both philosophical and real world political and social policy circles) about the provision of basic income grants, necessary to make the possibility of self-realization real for all. Traditional defenses of unconditional welfare benefits emphasize ideals of state neutrality when they claim that society should not discriminate against preferences for leisure in favor of preferences for work. According to these views, the state ought not to interfere with people’s choices about what constitutes the "good life." In contradistinction, Maskivker offers an innovative argument in defense of a particular ideal of the "good life," namely, life-goals directed at the pursuit of self-realization. However, her understanding of self-realization appeals to modern and contemporary values of freedom and pluralism. In a refreshingly new light, the book strikes a balance between fascinating debates on the conditions of human flourishing on the one hand, and heated discussions about the Welfare State on the other. (shrink)

An annual publication which publishes original articles, some of substantial length, on a wide range of topics in ancient philosophy, and review articles of major books.

This article addresses the participation of women who played a leading role in the revolutionary days of 1871, seeking to dialogue with the different images and stories that have been built around their participation. After 150 years, it is necessary to ask again who were these protagonists and what were the reasons for their participation, looking beyond the renowned leaders and combatants that stand out in the memoirs. To this end, seeking to break with myths, idealizations and reductionisms, an analysis (...) is developed that starts from the structural conditions of the working class and of the proletarian women in particular, both in the field of production and in the reproduction of the labor force, their forms of organization, participation in workers' associations, the link with feminist traditions; at all levels without losing sight of the tensions and contradictions. We seek in this way to understand what were the driving demands and roles of the thousands of "anonymous" women who were part of the vanguard of the defense of Paris and the first government of the working class. (shrink)

This 2001 translation makes one of the most important texts in ancient philosophy available to modern readers. Cicero is increasingly being appreciated as an intelligent and well-educated amateur philosopher, and in this work he presents the major ethical theories of his time in a way designed to get the reader philosophically engaged in the important debates. Raphael Woolf's translation does justice to Cicero's argumentative vigour as well as to the philosophical ideas involved, while Julia Annas's introduction and notes provide (...) a clear and accessible explanation of the philosophical context of the work. This edition will appeal to all readers interested in this central text in ancient philosophy and the history of ethics. (shrink)